WWS CHAPTER PUBLICATION ROUND UP FOR NOVEMBER

Congratulations to all the women and nonbinary writers who have been published this month! Here is publication news from WWS-SF!

From Janna Layton’s poem, “The Seventh Room,” in the literary magazine Polu Texni:

The Masque of the Red Death” is short—
a story in seven pages—
and so much of it
is Poe’s description of the rooms,
the twisting ballrooms of the castle
where Prince Prospero has locked himself away
from the plague.

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A WWS PUBLICATION ROUND UP FOR NOVEMBER

As the year wraps up, we are happy to celebrate the Women Who Submit who had work published in November. Congrats to all!

From “During Childbirth, Enduring the Patriarchy Was the Hardest Part” by Rachael Rifkin at Yes!:

Everyone from medical professionals to strangers tell pregnant people what they should and shouldn’t be doing with their bodies. Throughout my two pregnancies, OB-GYNs, nurses, family, and friends often used phrases like “you can’t,” “you’re not allowed to,” and “we’ll let you” when discussing my body.

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An Interview with Lisa Cheby, Owner of the Desert Lotus House for Writers

by Xochitl-Julisa Bermejo

The Desert Lotus House for Writers is a new writing retreat in Joshua Tree, California, and is the passion project of WWS original member, Lisa Eve Cheby. Applications opened on 11/11/17 with residencies beginning in January 2018.

Women Who Submit: On the Desert Lotus House for Writers website, you mention time you spent at a residency in Knoxville, TN. Why did you want to start a writing retreat, and how did your residency experience help you create your own?

Lisa Eve Cheby: The residency at Firefly Farms and SAFTA was amazing. I had never been on a residency and doubted myself and what I would do with that gift of space and time. There was something about the process of applying and being accepted. It is not a fully-funded residency, but it was affordable and in a new place. The house was welcoming and comfortable. The landscape was new and beautiful. It was the first time in my adult life where I did not have an agenda. I was able to write and read poetry all day. I opted to not have a car that week, so I was really isolated to the farm and to walks on the property and neighborhood. All I had to do was feed the animal and write. I also loved having another poet in the house with me, in this case, Karen Craigo, and the writer in the “coop” who shared kitchen and bath with us, Sara Martin. We each retreated to our rooms or various places in the house to write, but cooking in the kitchen seemed to indicate we were open for conversation.

For about a year, I had been wanting to create a writing retreat for myself in Joshua Tree. The right place at the right price never really came along, and I am limited in what I can fund on my own. I was reluctant to Airbnb as I didn’t want to be a burden to the community. When I was in Knoxville it occurred to me that I could do this with a house in Joshua Tree. I realized it did not need to be a house like the many bought and renovated by professional investors who get homesteader cabins and renovate them to be hipster places for desert getaways. It just had to be a comfortable house where writers could go at an affordable rate to write. A month after I returned from Firefly Farms, I found the house and decided to go for it. Continue reading

A WWS PUBLICATION ROUND UP FOR OCTOBER

An autumn chill is in the air but it won’t slow down Women Who Submit who have had a record number of acceptances this month. Congratulations to everyone who had work published in October!

From “Leilani Squire on Veteran’s Writing and ‘The Storytellers,’” an interview at bookscover2cover:

I have been facilitating a weekly veterans writing workshop at Wellness Works in Glendale, California (a veterans resource center that focuses on holistic methods of healing) since March 2013. I have witnessed the veterans’ commitment to the writing process, with a growing sense of focus and writing ability. I felt it was time to take them to the next level: publication.

From Sandy Yang‘s “Quid Pro Quo” at Juked:

One night when he was home, news broke that several women had accused one of the presidential candidates of sexual assault. The candidate said these women were coerced by the opposing side to make up stories. We were in bed and I asked my husband what he thought.

He was still typing on his laptop when he said, “They’re probably lying.”

Congratulations to Sandy whose story “Superfood” was published in the St. Petersburg Review! Continue reading

A WWS PUBLICATION ROUND UP FOR SEPTEMBER

Another month, another impressive line-up of WWS publications. Congratulations to all!

From Noriko Nakada‘s “Camp Stories” at Kartika Review:

Glass marbles in
pants pockets and
a forever
train ride rumbling
toward a mountain

Also from Noriko, “Howl” at Kartika Review:

The wind tonight
presses us all
away from the
ocean

From Hazel Kight Witham‘s “Done” at lady/liberty/lit:

Becoming an artist of faces—
of eyes
sultry, smoky, kohl-lined,
all the different looks I’d try
seductress, sunkissed, smoldering
painting myself
from a palette of shimmering promises
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A WWS PUBLICATION ROUND UP FOR AUGUST

August was one of the busiest months on record for WWS publications. Settle in, the list is long. Congratulations to all the WWS members who had work published in August:

From Antonia Crane‘s “Stripped Bare: How I Told My Mom I Was a Stripper” at Lenny Letter:

My mom knew I’d quit doing the drugs that made me paranoid and skinny because I’d started returning her phone calls again. She also knew about my bisexuality because I’d brought my girlfriend, Austin, home one Christmas. The two of them sat close, sipped whiskey-Cokes, and giggled while Mom’s cheeks turned rosy. “I always thought being bisexual would be the best of both worlds,” she said. She knew I struggled financially and that I was in AA, too, but she didn’t know I’d slinked away from our small town to be a sex worker. Would she be ashamed of me if I told her? Would she stop loving me? Continue reading