by Lauren Eggert-Crowe
Our main priority at Women Who Submit is uplifting the voices of writers who are historically marginalized in arts and letters. We believe in practicing Kimberlé Crenshaw’s theory of intersectionality, which means we look beyond gender discrimination and work for the liberation of women who are at the intersections of various oppressive systems of power, such as white supremacy & anti-Black racism, homophobia, classism and ableism. We value racial justice and economic justice as an essential part of our mission to center the art and literature of the most underserved and overlooked writers.
That’s why we love journals like Apogee, a beautiful online/print magazine that prioritizes writers of color. From their Mission Statement:
Apogee is a journal of literature and art that engages with identity politics, including but not limited to: race, gender, sexuality, class, ability, and intersectional identities. We are a biannual print publication featuring fiction, nonfiction, poetry, and visual art. Our goals are twofold: to publish fresh work that interrogates the status quo, and to provide a platform for underrepresented voices, prioritizing artists and writers of color.
The word “apogee” denotes the point in an object’s orbit that is farthest from the center. Our mission combines literary aesthetic with political activism. We believe that by elevating underrepresented literary voices we can effect real change: change in readers’ attitudes, change in writers’ positions in literature, and broader change in society.
Muriel Leung is the poetry editor at Apogee, and also a member of Women Who Submit who has read at our various events, such as LitCrawl and the L.A. Times Festival of Books. We interviewed her about her work at Apogee: